Numer bieżący

 

Abstract

This article examines the discourse and visual culture surrounding the Thirteenth World Festival of Youth and Students, which took place in Pyongyang in July 1989. I show how the visual ephemera, performances, and architectural monuments connected to the event served as a call to acknowledge the prevailing effects of the Cold War era at a historical moment widely heralded as marking a definitive thaw in Cold War tensions and the emergence of the so-called global contemporary period.

 

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