Bibliografia
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Conrad Phillip Kottak, Mirror for Humanity: A Concise Introduction to Cultural Anthropology, New York: McGraw-Hill Inc. 2010.
Constantin Brăiloiu, Widening of Musical Sensibility Facing Folk and Non-Western Music in Works II, Emilia Comişel (ed.), Bucharest: Editura Muzicala, 1969.
Eta Harich-Schneider, A History of Japanese Music, London: Oxford University Press, 1973.
Gaspar Veronica, ‘Musical Culture of Minorities in the Romanian Music: Dynamics, Evolution, Role and Interaction in the Surrounding Areas’ in Musical Romania and the Neighbouring Cultures, Eastern European Studies in Musicology, Vol. 2, Maciej Gołąb (ed.), Frankfurt: Peter Lang GmbH.
Marius Jansen, The Making of Modern Japan, Cambridge, Massachusetts: Harvard University Press.
Park Mikyung, Music and Shamanism in Korea: A Study of Selected ssikkum-gut Rituals for the Dead, Ph.D. Thesis, University of California Press, 1985.
Ury Eppstein, ‘From Torture to Fascination: Changing Western Attitudes to Japanese Music’ in Japan Forum 19 (2), London: Routledge, 2007.
Veronica Gaspar, ‘Béla Bartók and the Romanian Musical Culture: Intercultural and Intra-Cultural Perspective’ in Literature, Discourse and Multicultural Dialogue II, Târgu-Mureş: “Petru Maior” University Press, 2014.
Veronica Gaspar, ‘History of a Cultural Conquest: The Piano in Japan’, Acta Asiatica Varsoviensia, No. 27, 2014.
Watanabe Mamoru, ‘Why do the Japanese like European Music?’, International Social Science Journal, Vol. 34, No. 4, 1982.
William Gerald Beasley (ed.), Modern Japan: Aspects of History, Literature and Society, Los Angeles: University of California Press, 1975.
